“¿Dónde estás, Yolanda?” is a beautiful Latin American song, from Pink Martini’s 1997 album titled “Sympathique”. It is sung by the guest singer Pepe Raphael.
“¿Dónde estás, Yolanda?” is a song composed by Peruvian musician Manuel Jimenez Fernandez and made popular in the 1960s by Afro-Cuban singer Orlando Contreras and the Mexican group Sonora Santanera (an orchestra founded in 1955, still active and playing tropical music from Mexico with over 55 years of history).
One of the best flamenco guitarists of the 20th century, Sabicas (b. 16 March 1912 in Pamplona, Spain; d. 14 April 1990 in New York.) is playing the famous “Malagueña”, a song by Cuban composer Ernesto Lecuona; written in 1928, it was originally the sixth movement of Lecuona’s Suite Andalucia.
The song has since become a popular, jazz, marching band, and drum corps standard and has been provided with lyrics in several languages.
“Milonga” is probably the best-known work of the Argentine guitarist and composer Jorge Cardoso. I first listened to it on a CD titled “Latin American Guitar Festival” while I was working as a tonmeister at a radio station, in 1997.
Jorge Cardoso (Posadas, 1949) is an Argentine composer, primarily for guitar. He is also a medical doctor.
The “king” Luciano Pavarotti sings “La donna è mobile” as Il Duca di Mantova in the screen movie “Rigoletto” (1983) based on Giuseppe Verdi‘s opera with the same name (1851).
“La donna è mobile” (The woman is fickle) is the Duke of Mantua’s canzone from the beginning of act 3 of Giuseppe Verdi’s opera Rigoletto (1851). Composed between 1850 and 1851, Verdi’s Rigoletto is a twisted tale of lust, desire, love, and deceit. The inherent irony is that the Duke, a callous playboy, is the one who is mobile (“inconstant”). Its reprise towards the end of the opera is chilling, as Rigoletto realizes from the sound of the Duke’s lively voice coming from within the tavern (offstage), that the body in the sack over which he has grimly triumphed is not that of the Duke after all: Rigoletto had paid Sparafucile, an assassin, to kill the Duke but Sparafucile deceived him by killing Gilda, Rigoletto’s beloved daughter, instead.
One of the most beautiful pieces of the Baroque music: John Williams plays Antonio Vivaldi’s Concerto in D-major.
Antonio Vivaldi wrote many concertos for various instruments, including lute and mandolin. This Concerto in D major for Lute and Orchestra has been transcribed for guitar. It remains one of the finest examples of Baroque music, it has been recorded by many artists. John Williams version is one of the best examples of these.
Ahhh, Vivaldi and the beautiful Venice. The great videos below, Vivaldi’s Four Seasons, from “I Musici“, a film by Anton van Munster, probably one of the best classical/baroque music performances on the Internet. Enjoy.
One of the best versions of Malagueña Salerosa on the Internet. I don’t know who the performers are, unfortunately.
Malagueña Salerosa (also known as La Malagueña) is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists. The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor.
Ninna nanna is a Neapolitan ballad, sung by Pink Martini in the album “Splendor in the Grass” (2009). Here the band performs the song live in 2010 at Jazz Open Stuttgart, Germany.
“Ninna nanna” is a stunning lullaby sung for a sleeping sailor who “dreams in the blue” written for the band by longtime friends Alba Clemente (actress of Italian stage and wife of the Italian painter Francesco Clemente who co-authored the band’s hit “Una Notte a Napoli“) and New York art dealer Massimo Audiello.