Conducted by Daniel Reuss, the Orchestra of the Eighteenth Century and Cappella Amsterdam perform Ludwig van Beethoven’s Missa Solemnis in D major, Op. 123. Soloists: Carolyn Sampson (soprano), Marianne Beate Kielland (alto), Thomas Walker (tenor) and David Wilson-Johnson (bass). Recorded during the AVROTROS Friday concert on October 14, 2016 at TivoliVredenburg in Utrecht. Published by the AVROTROS Klassiek.
Continue reading Beethoven – Missa Solemnis (Orchestra of the Eighteenth Century, Capella Amsterdam)
Conducted by Prof. Nicolás Pasquet, The Orchestra of the University of Music FRANZ LISZT Weimar performs Béla Bartók’s Concerto For Orchestra, Sz. 116, BB 123, a five-movement musical work for orchestra composed in 1943. It is one of the Hungarian composer’s best-known and most popular works. It is also widely considered one of the best-instrumented orchestra pieces of all times. The recording took place on December 8th, 2011 at the Weimarhalle, Weimar, Germany.
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Conducted by Emmanuelle Haïm, the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) and an instrumental and vocal ensemble dedicated to baroque music, directed by Emmanuelle Haïm, Chœur du Concert D’Astrée perform Johann Sebastian Bach’s Magnificat, BWV 243, a musical setting of the biblical canticle Magnificat and one of Bach’s most popular choral works. Soloists: Emőke Baráth, soprano; Lea Desandre, mezzo-soprano; Damien Guillon, countertenor; Patrick Grahl, tenor; Victor Sicard, baritone.
Continue reading Bach – Magnificat (hr-Sinfonieorchester, Chœur du Concert D’Astrée)
Conducted by John Eliot Gardiner, Monteverdi Choir and English Baroque Soloists perform Johann Sebastian Bach’s Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248. Soloists: Claron McFadden: soprano, Katharine Fuge: soprano, Christoph Genz: tenor, Bernarda Fink: alto, Dietrich Henschel: bass. This performance is recorded at the beautiful church where this work was originally performed – HerderkircheNotes 1 in Weimar, Germany. Published by the EuroArts channel.
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Austrian pianist and composer Friedrich Gulda performs Ludwig van Beethoven’s Piano Concerto No. 5 in E-flat major, Op. 73, popularly known as the Emperor Concerto. Gulda also conducts the Munich Philharmonic Orchestra. Live recording from the Munich Piano Summer Festival, 1989.
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Conducted by Jordi Savall, the orchestra with period instruments, Le Concert des Nations and La Capella Reial de Catalunya perform Johann Sebastian Bach’s Magnificat, BWV 243, a musical setting of the biblical canticle Magnificat and one of Bach’s most popular choral works. Soloists: Hanna Bayodi-Hirt and Johannette Zomer (soprano), Damien Guillon (countertenor) (alto), David Murderloh (tenor), Stephan MacLeod (baritone).
Continue reading Bach – Magnificat (Savall, Le Concert des Nations)
Conducted by Izabella Shareyko, Vienna Philharmonic Women’s Orchestra performs the second movement, Aria, from Johann Sebastian Bach’ orchestral suite in D Major, BWV 1068, commonly known as “Air on the G String” or simply as “Bach’s Air”. Performed at St. Thekla Church, Vienna Wieden.
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Croatian Baroque Ensemble performs Georg Philipp Telemann’s Concertos for Four Violins No. 2 in D major TWV 40:202. Recorded on November 22, 2015. Violins: Laura Vadjon, Tanja Tortić, Lada Magdalenić, Saša Reba. Published by the Croatian Baroque Ensemble channel.
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Accompanied by the Arthur Rubinstein School of Music Symphony Orchestra, the young Polish pianist Maja Babyszka performs George Gershwin’s Rhapsody in Blue, a work for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects. Conductor: Henryk Wierzchoń. Composed in 1924, the work was premiered in an afternoon concert on Tuesday, February 12, 1924, held by Paul Whiteman and his band Palais Royal Orchestra, entitled An Experiment in Modern Music, which took place in Aeolian Hall in New York City.
This performance is recorded during the 3rd Polish Nationwide Music Schools’ Symphonic Orchestras Competition at the Pomeranian Philharmonic Concert Hall in Bydgoszcz on June 21, 2015. Published by the Akademia Filmu i Telewizji channel.
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American opera singer and soprano Renée Fleming and the legendary Spanish tenor Plácido Domingo perform Love Duet from Act I of Otello, a 1887 opera in four acts by Giuseppe Verdi to an Italian libretto by the Italian poet, journalist, novelist, librettist and composer Arrigo Boito (24 February 1842 – 10 June 1918), based on William Shakespeare’s play Othello (believed to have been written in 1603). The video below is from a 1995 Metropolitan Opera production.
Continue reading Fleming and Domingo perform Love Duet from Act I of Verdi’s Otello