Conducted by the Colombian violinist and conductor Andrés Orozco-Estrada, the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) performs Johannes Brahms’ Symphony No. 1 in C minor, Op. 68. Recorded at Alte Oper Frankfurt on November 5, 2015.

Brahms: Symphony No. 1 (hr-Sinfonieorchester, Andrés Orozco-Estrada)

Johannes Brahms’ Symphony No. 1

Johannes Brahms’ Symphony No. 1 is a monumental work in the world of classical music. Composed between 1855 and 1876, it represents a significant milestone in Brahms’ career and the Romantic symphonic tradition.

This symphony is often referred to as Brahms’ “Beethoven Symphony” because of the weighty expectations placed on him to follow in the footsteps of the great Ludwig van Beethoven. Brahms grappled with these expectations for many years before completing the symphony, which is reflected in its long gestation period.

The Symphony No. 1 is characterized by its lush orchestration, rich harmonies, and expansive melodies. It begins with a sense of foreboding and gradually builds to a triumphant climax in the final movement. Brahms incorporates motifs and themes that recur throughout the symphony, creating a sense of unity and cohesion.

The symphony is often seen as a masterful blend of Classical and Romantic elements. It pays homage to the symphonic traditions of Beethoven while also showcasing Brahms’ distinctive voice as a composer. The work is imbued with emotional depth and complexity, making it a favorite among both musicians and audiences.

Brahms’ Symphony No. 1 remains a cornerstone of the orchestral repertoire and continues to be celebrated for its beauty, craftsmanship, and emotional resonance.


With start times in the video:

  1. Un poco sostenuto – Allegro 0:12
  2. Andante sostenuto 16:16
  3. Un poco Allegretto e grazioso 25:09
  4. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro 29:43

1. Un poco sostenuto – Allegro

The first movement of Brahms’ Symphony No. 1 is marked as “Un poco sostenuto – Allegro.” It is a substantial and emotionally charged introduction to the symphony. Here’s a description of this movement:

This movement begins with a somber and brooding introduction, marked “Un poco sostenuto,” which means “a little sustained.” It sets a mysterious and introspective tone as if the composer is grappling with profound thoughts and emotions.

As the movement progresses, it transitions into the main “Allegro” section, which is characterized by its driving tempo and powerful orchestration. Brahms weaves together intricate melodies and rich harmonies, creating a sense of urgency and drama. The orchestra engages in passionate dialogues, with various sections of the ensemble taking turns to express their musical ideas.

One notable feature of this movement is the recurring use of a distinctive, mournful theme that appears throughout the movement. This theme is developed and transformed, adding to the movement’s sense of unity and structure.

The first movement builds to a climactic point, with the full orchestra delivering a triumphant and exuberant conclusion. It’s a moment of emotional release and catharsis after the intense journey that precedes it.

Overall, the first movement of Brahms’ Symphony No. 1 is a powerful and introspective opening to the symphony. It sets the stage for the emotional depth and complexity that will unfold in the subsequent movements.

2. Andante sostenuto

The second movement of Brahms’ Symphony No. 1 is marked as “Andante sostenuto.” It is a contrasting and introspective movement that follows the dramatic intensity of the first movement. Here’s a description of this movement:

The “Andante sostenuto” is a slow, lyrical movement that exudes a sense of melancholy and introspection. “Andante” indicates a walking pace, and “sostenuto” means “sustained,” so the tempo is unhurried, allowing for a deep emotional exploration.

This movement features a beautiful and expressive melody introduced by the strings, particularly the cellos and violas. Brahms’ use of rich harmonies and the warm timbre of the strings creates a serene and contemplative atmosphere. The melody is passed among various sections of the orchestra, adding depth and complexity to the musical narrative.

Throughout the movement, Brahms employs subtle shifts in dynamics and orchestration to convey a sense of yearning and nostalgia. The music seems to reflect on the past, evoking a sense of longing or bittersweet memories.

One of the remarkable aspects of this movement is its ability to convey profound emotion with restraint. Brahms’ mastery lies in his ability to create a deeply affecting musical experience through subtle nuances and the careful development of themes.

The second movement provides a contrasting emotional landscape to the first movement, offering a moment of introspection and respite before the symphony progresses to its subsequent movements.

3. Un poco Allegretto e grazioso

The third movement of Brahms’ Symphony No. 1 is marked as “Un poco allegretto e grazioso.” It is a charming and graceful interlude in the symphony, offering a contrast to the intensity of the previous movements. Here’s a description of this movement:

The “Un poco allegretto e grazioso” is a relatively light-hearted and elegant movement. “Allegretto” suggests a moderately fast tempo, while “grazioso” means “graceful,” so the movement combines a sense of liveliness with refinement.

This movement features a delightful, dance-like melody that is introduced by the strings, particularly the violins. Brahms infuses the music with a sense of playfulness and charm as if the listener is invited to join in a graceful waltz.

The orchestration in this movement is characterized by the use of woodwinds and pizzicato strings, which add to its whimsical character. The melodies are passed among different sections of the orchestra, creating a sense of dialogue and interaction.

While the movement retains a sense of lightness, there are moments of deeper emotional content, as is typical in Brahms’ compositions. These moments provide depth and complexity, reminding the listener that even in the midst of elegance, there can be moments of introspection.

The third movement serves as a refreshing and lyrical contrast to the preceding movements, offering a moment of respite before the symphony progresses to its powerful final movement.

4. Adagio – Più andante – Allegro non-troppo, ma con brio – Più allegro

The finale of Brahms’ Symphony No. 1 features a complex tempo structure, marked as “Adagio – Più andante – Allegro non-troppo, ma con brio – Più allegro.” This intricate tempo progression adds depth and variety to the movement, and it serves as a grand and emotionally charged conclusion to the symphony.

  1. Adagio: The movement begins with an “Adagio,” signifying a slow and solemn tempo. Brahms sets a contemplative and introspective mood with a gentle introduction, allowing the listener to reflect on the musical journey that has unfolded so far.
  2. Più andante: The tempo transitions to “Più andante,” which means “more walking” and suggests a slightly faster pace than the initial Adagio. In this section, the music gains momentum, and the strings introduce a more expressive and flowing melody.
  3. Allegro non-troppo, ma con brio: Following the Andante section, the tempo shifts to “Allegro non-troppo, ma con brio,” indicating a fast tempo with vigor. This is where the movement gains intensity. The orchestra builds tension with powerful crescendos and driving rhythms.
  4. Più allegro: Finally, the movement accelerates further with “Più allegro,” which means “more fast.” This marks the culmination of the symphony, with the music reaching its most energetic and exuberant state.

Throughout the fourth movement, Brahms revisits and develops themes introduced earlier in the symphony, creating a sense of unity and cohesion. The music alternates between moments of soaring melodies and dramatic orchestral outbursts.

The symphony concludes in a resounding and majestic finale, leaving a profound emotional impact on the listener.

The fourth movement’s complex tempo structure adds depth and excitement to the symphony’s conclusion, showcasing Brahms’ mastery of musical form and expression.

Johannes Brahms
Brahms’ Symphony No. 1 was composed between 1855 and 1876. Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. In his lifetime, Brahms’s popularity and influence were considerable. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the “Three Bs”, a comment originally made by the nineteenth-century conductor Hans von Bülow. Photo: Wikipedia


M. Özgür Nevres

Published by M. Özgür Nevres

I am Özgür Nevres, a software engineer, a former road racing cyclist, and also an amateur musician. I opened to share my favorite music. I also take care of stray cats & dogs. This website's all income goes directly to our furry friends. Please consider supporting me on Patreon, so I can help more animals!

Leave a comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.