Zoltan Szabo, University of Sydney Johann Sebastian Bach’s Six Solo Cello Suites are some of the most iconic classical music works. They have inspired not only cellists and audiences but other artforms as well, and they have been featured in ballet and theatre productions, even in films.
Accompanied by the Choir and Orchestra of Collegium Vocale Ghent, the French countertenor Damien Guillon sings “Erbarme dich, mein Gott” (English: Have mercy, my God), an aria for contralto, solo violin, strings (originally 2 violins and 1 viola) and basso continuo, from the sacred oratorio “Matthäus-Passion” (English: St Matthew Passion), BWV 244 written by Johann […]
Accompanied by Kaunas Vytautas Magnus University Chamber Orchestra, Lithuanian pianist Adele Daunoraviciute performs Johann Sebastian Bach’s Harpsichord Concerto No. 5 in F minor, BWV 1056. Conductor: Robertas Bliskevicius.
Accompanied by the Manitoba Chamber Orchestra, young Lucie Horsch performs Vivaldi’s Flautino Concerto in C Major (RV 443) (G major transposition for soprano recorder). Music director and conductor: Anne Manson, concertmaster: Karl Stobbe. Recorded on April 27, 2016.
San Francisco based early music ensemble Voices of Music and the American violinist Cynthia Miller Freivogel, who specialized in both baroque and modern violin, perform Antonio Vivaldi’s “Summer” (L’Estate, RV 315) from the Four Seasons (Le quattro stagioni). The piece was performed on original period instruments.
Accompanied on harpsichord by Alexandra Nepomnyashchaya, Lucie Horsch (b. 1999) performs Recorder sonata in D minor (HWV 367a) by George Frideric Handel and Concerto for 2 Violins in A minor, RV 522 by Antonio Vivaldi. Recorded during the Buma Classical Convention in 2014 in Tivoli/Vredenburg in Utrecht, when she was only 15-year-old. An amazing baroque music performance […]
Accompanied by the period ensemble Les Siècles, French contralto Delphine Galou sings “Erbarme dich, mein Gott” (English: Have mercy, my God), an aria for contralto, solo violin, strings (originally 2 violins and 1 viola) and basso continuo, from the sacred oratorio “Matthäus-Passion” (English: St Matthew Passion), BWV 244 written by Johann Sebastian Bach in 1727. […]
Conducted by Emmanuelle Haïm, the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) and an instrumental and vocal ensemble dedicated to baroque music, directed by Emmanuelle Haïm, Chœur du Concert D’Astrée perform Johann Sebastian Bach’s Magnificat, BWV 243, a musical setting of the biblical canticle Magnificat and one of Bach’s most popular choral works. Soloists: Emőke Baráth, soprano; […]
Accompanied by the Cambridge ensemble, Welsh soprano Angharad Gruffydd Jones and the American countertenor Lawrence Zazzo perform Giovanni Battista Pergolesi’s Stabat Mater, a musical setting of the Stabat Mater sequence, a 13th-century Catholic hymn to Mary, which portrays her suffering as Jesus Christ’s mother during his crucifixion. Conductor: Timothy Brown.
Countertenor Kaan Buldular and classical guitarist Hande Cangökçe perform French baroque era composer Michel Lambert’s “Ombre de Mon Amant” (English: Shadow of my beloved). Arrangement for guitar: Hande Cangökçe.