Polish-based early music orchestra {oh!} Orkiestra Historyczna performs Johann Sebastian Bach’s Orchestral Suite No. 2 in B minor, BWV 1067. Recorded on March 23, 2013, as the Final Concert of Festival “Musica Poetica” in Tarnow, Poland.
- Soloist: Georges Barthel – traverso
- Martyna Pastuszka – leader
- Artur Malke – manager
Program
- 0:00 Ouverture
- 5:59 Rondeau
- 7:52 Sarabande
- 10:37 Bourrees I&II
- 12:46 Polonaise & Double
- 16:14 Menuett
- 17:21 Badinerie
Bach’s Orchestral Suite No. 2 in B minor, BWV 1067
Suite No.2 in B minor is very much in the French style, as were many compositions of this kind in Germany in the first half of the eighteenth century when French national taste was predominated.
The “Ouverture” is in the style developed under Lully in France, a solemn introduction in marked rhythm leading to a more rapid fugal section, ending with a return to the solemnity of the opening. A lively Rondeau follows and a stately Sarabande.
The two Bourrées are played in alternation, followed by a Polonaise and a succeeding variation by the flute. The Suite ends with a Minuet and a Badinerie, a light-hearted and brilliant conclusion.
{oh!} Orkiestra Historyczna
The {oh!} Orkiestra Historyczna was founded in 2012 in the city of Katowice by a group of passionate enthusiasts of early music focused on the concertmaster, Martyna Pastuszka, and the manager, Artur Malke.
In their dedication to historically informed performance, the members of the {oh!} Orkiestra never forgets about what is most important: making their music reach their audience as fully as possible. Working on every aspect of a work in order to emphasize the rhetorical dimension of music results in concerts whose aim is to achieve excellent communication not only among the performers but, above all, between the musicians and the audience.
From the very first concert, this kind of connection has been noticed and appreciated by critics and guest soloists.
In 2017, {oh!} will mark its 5th anniversary. Thanks to maintaining strong bonds with the city of Katowice and its cultural institutions, which have been supporting the ensemble since its formation, {oh!} has acquired a reputation as one of the most important early music ensembles in Poland.
In 2015, the ensemble made its phonographic debut: the Polish label DUX released an album entitled {oh!} Schreyfogel/Schaffrath/Visconti, which contains {oh!}’s renditions of violin and harpsichord concertos discovered in the library of the University of Dresden. A year later, the orchestra’s second album was released by MUSICON: a collection of recordings of Father Amando Ivanschitz’s works under the collective title Jasna Góra Early Music.
Orkiestra Historyczna has also made contemporary stage premieres of two operas: Domenico Sarri’s Didone Abbandonata and Johann Adolf Hasse’s Arminio, in cooperation with Czech artists. The operas were performed in Prague, Ostrava, and Brno as well as in Gliwice, Katowice, and Warsaw.
Thanks to cooperation with the Polish National Radio Symphony Orchestra, {oh!} gives regular concerts within the framework of NOSPR’s Early Music series. During this series, the Orkiestra Historyczna engages in the most ambitious of programs, performing with such outstanding artists as Andreas Staier, Lars Ulrik Mortensen, and Julien Chauvin.
The {oh!} Orkiestra Historyczna is, above all, an ensemble of young passionate professional artists with strong bonds with Upper Silesia, whose aim is to take early music performance in the region to a new level, becoming its cultural trademark in Poland and abroad.
Sources
- Johann Sebastian Bach’s Orchestral Suites on Wikipedia
- {oh!} Orkiestra Historyczna official website
