The Japanese pianist and composer known for his Chopin performances, Hayato Sumino plays Frédéric Chopin’s Étude Op. 25, No. 11 in A minor, a solo piano technical study composed in 1836. The piece is often referred to as the Winter Wind in English.
Frédéric Chopin’s Étude Op. 25, No. 11, the “Winter Wind”
Frédéric Chopin’s Étude Op. 25, No. 11, commonly known as the “Winter Wind,” is one of his most technically demanding and expressive piano compositions. Written in the key of A minor, this étude is part of his second set of études, Op. 25, published in 1837.
The “Winter Wind” is renowned for its virtuosic brilliance and dramatic intensity. It begins with a lyrical, almost melancholic introduction that sets the mood before launching into the main theme. This main section is characterized by rapid, swirling arpeggios and scales that sweep across the keyboard, mimicking the howling and ferocity of a winter storm. The right hand is tasked with executing these challenging passages at high speed, while the left hand provides a robust harmonic foundation and rhythm.
The étude is a masterclass in finger dexterity and control, requiring the pianist to maintain clarity and articulation amidst the whirlwind of notes. Despite its technical demands, Chopin imbues the piece with a deep emotional resonance, capturing the tumult and beauty of a winter landscape.
Chopin’s genius lies in his ability to combine technical complexity with profound musical expression, making the “Winter Wind” not only a showcase for pianistic skill but also a deeply evocative and poetic work. Its enduring popularity among pianists and audiences alike is a testament to its powerful impact and the intricate balance of virtuosity and artistry that Chopin achieves.
Related: Chopin – Winter Wind [Anna Fedorova]
Sources
- Étude Op. 25, No. 11, the “Winter Wind” (Chopin) on Wikipedia
