Beethoven: Symphony No. 7 [Orquesta Sinfónica de Galicia, Daniele Pollini]

Conducted by Daniele Pollini, the Orquesta Sinfónica de Galicia (Galicia Symphony Orchestra) performs Ludwig van Beethoven’s Symphony No. 7 in A major, Op. 92. Recorded on Friday, November 14, 2014, at the A Coruña Opera Palace. Published by the Sinfónica de Galicia channel.

Ludwig van Beethoven’s Symphony No. 7

Beethoven’s Symphony No. 7 in A major, Op. 92, composed between 1811 and 1812 and premiered on December 8, 1813, in Vienna, is often seen as a continuation of the composer’s exploration of sound, color, and form following the dramatic innovations of his previous symphonies. While it may appear to return to a more classical style, especially when compared to the groundbreaking structures of the Fifth and Sixth Symphonies, Beethoven’s approach remains anything but conventional. By this point in his career, he was not interested in ‘safe’ compositions, instead opting for a work that pulses with physical energy and rhythmic drive.

Following a restorative spa holiday in 1811, Beethoven described his experience as a “return to life,” a sentiment that resonates throughout the Seventh Symphony. The key of A major, often associated with brightness and buoyancy, is employed in a way that emphasizes its dynamic and rhythmic qualities. The symphony is infused with dancing rhythms and brilliant orchestration, resulting in a sound that can, at times, feel almost overwhelming. One of Beethoven’s contemporaries, Carl Maria von Weber, even remarked on the composer’s intensity, suggesting he was “ripe for the madhouse,” in response to the obsessive rhythmic patterns that characterize the symphony.

The intricate dance rhythms in the Seventh Symphony are masterfully woven together, beginning with a substantial slow introduction. Here, the woodwinds introduce a rhythmic motif that sets the stage for the energetic exploration that follows. This motif, described as a dactyl in classical terms, recurs throughout the work, binding the movements together through its rhythmic persistence. As the symphony progresses, the infectious energy of this pattern builds, culminating in a spirited finale that exudes ferocious joy.

In terms of dynamics, Beethoven pushes the boundaries of orchestral sound, famously employing the marking fff (fortississimo) indicating a level of volume previously unseen in orchestral music. The explosive nature of the finale has led some to draw parallels with Stravinsky’s Rite of Spring, where life triumphs over death in an exuberant celebration of vitality.

However, the symphony is not solely a display of unbridled joy. Beethoven acknowledges the interplay of light and darkness, suggesting that it is the presence of shadows that accentuates the glory of brightness. The Allegretto, characterized by its nocturnal and voluptuous quality, opens with a minor-key wind chord that juxtaposes the A major brightness of the first movement. This tonal shift allows Beethoven to expand his harmonic palette, introducing a darker F major that complicates the otherwise joyous atmosphere.

Ultimately, Symphony No. 7 stands as a testament to Beethoven’s unparalleled ability to discover energy and hope amid both inner turmoil and external chaos. Its infectious rhythms and rich emotional landscape make it a vital part of the orchestral repertoire. The symphony endures as an essential piece in the classical canon, celebrated for its rhythmic vitality and expressive depth.

Movements

1. Poco sostenuto – Vivace

The first movement of Beethoven’s Symphony No. 7, marked Poco sostenuto – Vivace, begins with a somber introduction that sets the stage for the energetic themes that follow. The initial poco sostenuto section features a slow, measured introduction characterized by a powerful, dramatic chord that captures the listener’s attention. This opening is often interpreted as a reflection of tension and anticipation, creating an atmosphere that suggests something momentous is about to unfold.

As the movement transitions into the vivace, a lively and upbeat tempo takes over, showcasing Beethoven’s masterful command of rhythm and dynamics. The main theme bursts forth with exuberance, driven by infectious rhythmic patterns that resonate throughout the orchestra. The intricate interplay among the strings and woodwinds creates a rich tapestry of sound, emphasizing the movement’s vitality. The recurring rhythmic motif, often described as a “dance-like” quality, gives the music an infectious energy that engages the audience.

Beethoven employs a variety of orchestral techniques in this movement, utilizing contrasting dynamics to enhance the drama and excitement. The contrasts between the softer, lyrical passages and the powerful, fortissimo sections add depth and intensity to the overall experience. The movement exemplifies Beethoven’s innovative approach to symphonic writing, as he balances thematic development with rhythmic vitality, making it a favorite among audiences and musicians alike.

This first movement not only serves as an energetic introduction to the symphony but also encapsulates the spirit of the entire work, showcasing Beethoven’s ability to merge emotional depth with vigorous musical expression.

2. Allegretto

The second movement of Beethoven’s Symphony No. 7, marked Allegretto, is often regarded as one of the most memorable and haunting sections of the entire symphony. In contrast to the exuberant energy of the first movement, the Allegretto introduces a more somber and reflective character, characterized by its lyrical melodies and rich harmonic textures.

The movement opens with a distinctive theme played by the strings, accompanied by the woodwinds. This theme is marked by a steady, almost march-like rhythm that creates an air of solemnity. The repeated rhythmic pattern, combined with the minor key, evokes a sense of introspection, contrasting sharply with the preceding movement’s vitality. The melodic line unfolds beautifully, allowing the orchestra to showcase its lush timbres, with the violas and cellos often taking center stage.

Beethoven masterfully develops the initial theme, varying it through dynamic contrasts and instrumentation. The movement builds gradually, intensifying the emotional weight as it progresses. The dialogue between different sections of the orchestra adds depth and complexity, while the carefully placed crescendos and decrescendos heighten the movement’s dramatic impact.

The Allegretto has been described as both deeply moving and rhythmically compelling, and it resonates with audiences on a profound level. Its popularity has led to numerous interpretations and arrangements, demonstrating its enduring significance in the classical repertoire. The movement’s memorable theme has even been used in various cultural contexts, further solidifying its place in music history.

This movement serves as a poignant reflection within the symphony, encapsulating Beethoven’s ability to convey profound emotion through simple yet powerful musical ideas.

3. Presto – Assai meno presto (trio)

The third movement of Beethoven’s Symphony No. 7, marked Presto – Assai meno presto (trio), is a vibrant and exhilarating section that showcases the composer’s flair for rhythm and contrast. This movement bursts forth with energy, characterized by its lively tempo and intricate interplay among the instruments. The Presto section is marked by rapid, rhythmic motifs that create a sense of urgency and excitement, drawing listeners into a whirlwind of sound.

The interplay between strings and woodwinds is particularly notable, as they engage in playful exchanges that highlight Beethoven’s skill in orchestration. The dynamic contrasts within this movement, alternating between the spirited Presto and the more subdued Assai meno presto (trio) section, provide an engaging variety of musical textures. The trio introduces a contrasting theme that is softer and more lyrical, allowing the audience a moment of respite before the energetic return of the Presto.

Beethoven’s use of the trio form not only showcases the distinct character of the new theme but also emphasizes the rhythmic vitality that pervades the entire movement. This section is characterized by its buoyant energy, as the orchestra joyfully navigates through lively motifs, creating an infectious atmosphere that captivates listeners.

The Presto – Assai meno presto movement exemplifies Beethoven’s mastery of structure and form, making it a highlight of the symphony. Its rhythmic complexity and engaging themes contribute to the overall dynamic character of the Seventh Symphony, solidifying its status as one of Beethoven’s most celebrated works. The combination of exuberance and lyrical moments offers a rich listening experience that resonates deeply with audiences, reinforcing the enduring legacy of Beethoven’s music.

4. Allegro con brio

The fourth movement of Beethoven’s Symphony No. 7, marked Allegro con brio, is a thrilling conclusion to this monumental work, characterized by its relentless energy and rhythmic drive. This movement bursts forth with an infectious vigor that immediately captures the audience’s attention. The opening theme is bold and assertive, featuring dynamic contrasts that create a sense of excitement and urgency. The relentless propulsion of the music reflects Beethoven’s mastery of orchestration and thematic development, allowing for a captivating interplay among the various sections of the orchestra.

As the movement progresses, the driving rhythm becomes increasingly complex, creating a powerful and exhilarating sound. The dialogue between strings and woodwinds is particularly dynamic, with each group contributing to the overarching intensity of the movement. Beethoven skillfully employs repetitive motifs that build excitement, leading to moments of both tension and release. This effective use of rhythm is one of the hallmarks of the Allegro con brio, showcasing how the composer can manipulate musical ideas to engage the listener fully.

The culmination of this movement is nothing short of explosive, with a series of climactic crescendos that propel the symphony toward its grand finale. Beethoven’s innovative use of dynamics is evident here, as he incorporates powerful fortissimo passages that contrast sharply with more subdued moments, adding depth and drama to the overall experience. The infectious energy and rhythmic vitality of this movement have made it a favorite among orchestras and audiences alike, often regarded as one of the highlights of Beethoven’s symphonic output.

Daniele Pollini

Daniele Pollini was born in 1978. He made ​​his debut as a pianist at the Rossini Opera Festival in Pesaro in the summer of 1997. He also participated in the Salzburg Festival and the Ruhr Piano Festival and made ​​his successful debut in Paris and in the United States.

He has appeared as a soloist with the Orchestra Regionale Toscana, with the Orchestra of the Musical Afternoons, and with the National Radio Symphony Orchestra In 2003 he performed at the Maggio Musicale Fiorentino under the Zubin Mehta, and in 2004 he gave a concert at the Venice Biennale.

His interests also extend to electronic music. His training as a director is linked to the Accademia Musicale Chigiana conducting courses, taught by Gianluigi Gelmetti. In 2002 he made ​​his debut at the Ravenna Festival with the RAI Symphony Orchestra, with a program including the IV and VII Symphony by Beethoven.

His repertoire ranges from classical and romantic authors to contemporary composers.

Daniele Pollini is the son of the famous Italian pianist Maurizio Pollini.

Orquesta Sinfónica de Galicia

Orquesta Sinfónica de Galicia is a Spanish orchestra, created in 1992 and based in A Coruña, where it is the main orchestra in the city’s Mozart Festival. Its conductor is Dima Slobodeniouk.

Sources

• Symphony No. 7 (Beethoven) on Wikipedia
• Orquesta Sinfónica de Galicia on Wikipedia
• Symphony No. 7, Op. 92 (Beethoven, Ludwig van) on the International Music Score Library Project website
• “Beethoven: Symphony No. 7 in A Major, Op. 92” on the Encyclopedia Britannica website
• “Ludwig van Beethoven’s Symphony No. 7: A Deep Dive” on the LV Beethoven website
• “Beethoven’s Symphony No. 7 in A, Op. 92 (1812)” on the Eastman School of Music website
• A guide to Beethoven’s Symphony No. 7 on the BBC Classical Music website