Conducted by Leonardo Muzii, the Baroque Orchesta of the Early Music Department of Geneva University of Music (Orchestre Baroque Département de Musique Ancienne, Haute école de musique de Genève -HEM- Genève) performs Antonio Vivaldi’s Concerto in D minor, RV 566. Recorded live on February 3, 2013 at Temple de la Fusterie, Genève.

Antonio Vivaldi – Concerto con molti strumenti (RV 566)
Orchestre baroque Département de musique ancienne, HEM Genève
Direction: Leonardo Muzii


  1. Allegro
  2. Largo
  3. Allegro


  • Violin 1: Amandine Solano (Solo), Saskia Birchler, Hélène Galatea Conrad, Vanessa Monteventi
  • Violin 2.: Sue-Ying Koang (Solo), Diana Ruiz, Sergio Vanegas
  • Alto recorder: Natalia Jaworska, Elena Listratova
  • Cello: Ciprian Campean (Solo), Anne-Charlotte Dupas
  • Bass Violin (1): Hélène Herengst
  • Recorder: Marie Barbier, Jessica Baran Surel
  • Oboe: Nicola Barbagli, Arianne Brückner
  • Bassoon: Hye Min Kim
  • Archlute & Théorbe: Machiko Yaganita, Dana Howe, Daniel Morais
  • Harpsichord: Zlatoslava Vaskiv


  1. Bass violin is the modern term for various 16th and 17th-century bass instruments of the violin (i.e. “viola da braccio”) family. They were the direct ancestor of the modern cello. Bass violins were usually somewhat larger than the modern cello, but tuned the same or sometimes just one step lower than it.
Violon (Peter Lely, 1640)
A “great bass viol” or violone, painting by Sir Peter Lely, c. 1640, showing the large size and typical violin shape of a bass violin. Sir Peter Lely (14 September 1618 – 30 November 1680) was a painter of Dutch origin, whose career was nearly all spent in England, where he became the dominant portrait painter to the court. Image: wikipedia


M. Özgür Nevres

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