Accompanied by the American pianist Michael Isador, the great Polish violinist of the 20th century, Henryk Szeryng plays “Rondo” from Wolfgang Amadeus Mozart’s Serenade No. 7 in D Major, K.250 (248b), more commonly known as the “Haffner Serenade“.
“Rondo” from Haffner Serenade
Mozart’s Serenade No. 7 in D major, K. 250, commonly known as the “Haffner Serenade,” was composed in 1776 for the wedding of Marie Elisabeth Haffner, the daughter of a prominent Salzburg family. The “Haffner Serenade” is notable for its festive and elegant character, and it was likely performed during the evening’s celebrations.
The Haffner Serenade was premiered on 21 July 1776, with Mozart likely conducting and playing the solo violin part himself.
The 8th movement of this serenade, the “Rondo: Allegro,” is a lively and spirited piece that exemplifies Mozart’s masterful use of form and melody. The rondo form is characterized by a recurring main theme that alternates with contrasting episodes. In this movement, the main theme is bright and engaging, capturing the celebratory mood of the occasion.
The “Rondo: Allegro” features virtuosic passages and intricate interplay between the solo violin and the orchestra. The movement showcases the soloist’s technical brilliance with rapid runs, trills, and dynamic contrasts. The orchestra complements the soloist with vibrant and rhythmic accompaniment, enhancing the movement’s energetic and joyful atmosphere.
Mozart’s use of varied episodes within the rondo structure adds interest and complexity to the movement. Each return of the main theme is slightly varied, demonstrating Mozart’s creativity and ability to maintain the listener’s interest throughout the piece. The “Rondo: Allegro” culminates in a spirited conclusion, leaving a lasting impression of festivity and brilliance.
Sources
- Serenade No. 7 “Haffner Serenade” (Mozart) on Wikipedia
- Serenade in D major, K. 250/248b (Mozart, Wolfgang Amadeus) on the International Music Score Library Project website
