Damien Guillon is a French countertenor. He has begun his musical education in 1989 at the Maîtrise de Bretagne supervised by Jean-Michel Noël. He received a full music education from his youngest age and quickly begun singing as a soprano soloist in many baroque oratorios as well as at the Rennes Opera in The Magic Flute by Mozart.
Between 1998 and 2001, he was a member of the Maîtrise du Centre de Musique Baroque de Versailles directed by Olivier Schneebeli, where he improved his vocal technique and deepened his research about early music interpretations with Howard Crook, Jérome Corréas, Alain Buet, Noëlle Barker. In 2004, he admitted at the Schola Cantorum Basiliensis to receive the teaching of Andreas Scholl. At the same time, he studied organ with Frédéric Desenclos and Véronique Le Guen and graduated in Boulogne-Billancourt Conservatory (continuo and harpsichord).
Guillon’s repertoire ranges from songs of the English Renaissance to Baroque oratorios and operas by Monteverdi (L’Incoronazione di Poppea), Bach (Saint John Passion, Saint Matthew Passion, Mass in B minor, Lutheran masses, Christmas Oratorio and cantatas for solo alto), Händel (The Messiah), Purcell (King Arthur and Dido and Aeneas) etc…
He performed in several staged productions such as Händel’s Athalie (Paul McCreesh in Ambronay), Teseo (Gilbert Bezzina, Nice Opera) and Giulio Cesare (François-Xavier Roth, Yannis Kokkos, Théâtre de Caen), Monteverdi’s Il Ritorno d’Ulisse in Patria (Philippe Pierlot, Théâtre de La Monnaie, Brussels) or, recently, Landi’s Il Sant’ Alessio (William Christie and Les Arts Florissants).
Guillon is the leader of the early music ensemble “Le Banquet Celeste”.