Conducted by Izabella Shareyko, Vienna Philharmonic Women’s Orchestra performs the second movement, Aria, from Johann Sebastian Bach’ orchestral suite in D Major, BWV 1068, commonly known as “Air on the G String” or simply as “Bach’s Air”. Performed at St. Thekla Church, Vienna Wieden.
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European Union Baroque Orchestra performs Johann Sebastian Bach’s Brandenburg Concerto No. 3 in G Major, BWV 1048. Director and harpsichord: Lars Ulrik Mortensen, Concertmaster: Huw Daniel. Recorded in Trifolion Centre Culturel, Touristique et de Congrès in Echternach, Luxembourg on 20 and 21 November 2011 by fz film (Anette Fleming, Stefan Zednik).
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Italian classical guitarist Marco Salcito performs “Aria” from Johann Sebastian Bach’s Goldberg Variations, BWV 988. This video is a part of a particular show that combines the magnificent “Goldberg Variations” by J. S. Bach on the guitar with dance gestures and expressions. Dance steps and notes intervene, chase each other and melt through time and space. Video by: Melina Rivera.
Continue reading Bach – “Aria” from Goldberg Variations (Project Goldberg – Marco Salcito: guitar, Esperanza Garcìa: dancer)
Accompanied by the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra), French oboist, conductor, and professor François Leleux performs Johann Sebastian Bach’s Oboe Concerto in D-minor, BWV 1059R. Conductor: Andrés Orozco-Estrada. Recorded at Alte Oper Frankfurt on January 13, 2017. Published by hr-Sinfonieorchester channel.
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Described as “one of the best guitarists of his generation”, the Brazilian classical guitarist Paulo Martelli plays Johann Sebastian Bach’s Sonata No. 1 in G minor, BWV 1001 for violin solo. Guitar arrangement of the piece also made by the guitarist himself. Recorded at Teatro Minaz (Ribeirão Preto – SP – Brasil) on August 27, 2010 for Movimento Violão Guitar Series. Martelli’s 11-string guitar made by Samuel Carvalho, the Brazilian master guitar builder in 2004.
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Conducted by Gustav Leonhardt, the Collegium Vocale Gent and the Musica Antiqua Amsterdam perform Johann Sebastian Bach’s Gottes Zeit ist die allerbeste Zeit (God’s time is the very best time), BWV 106, also known as Actus tragicus. The piece is an early sacred cantata composed in Mühlhausen, intended for a funeral.
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Amsterdam-based Baroque ensemble Combattimento (continuation of the former Combattimento Consort Amsterdam which terminated its activities at the end January 2014) performs Johann Sebastian Bach’s Concerto for Two Violins, Strings and Continuo in D Minor, BWV 1043, also known as the Double Violin Concerto or “Bach Double”. Recorded during the Sunday Morning Concert on December 25, 2016, at the Concertgebouw in Amsterdam. Published by AVROTROS Klassiek.
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Conducted by the German conductor, choirmaster, organist, and harpsichordist Karl Richter (15 October 1926 – 15 February 1981), Münchener Bach-Chor & Orchester (Munich Bach Choir and Orchestra) perform Johann Sebastian Bach’s Passio secundum Johannem or St John Passion (German: Johannes-Passion), BWV 245. Recorded in 1970.
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American organist Rodney Gehrke performs Johann Sebastian Bach’s Toccata and Fugue in D minor, BWV 565. The piece is Bach’s signature work for organ solo. In this ultra-HD video, it is performed on a Flentrop organ (1), as part of the Voices of Music “Great Works” series.
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Conducted by Sir John Eliot Gardiner, English Baroque Soloists and Monteverdi Choir perform Herr Jesu Christ, du höchstes Gut (Lord Jesus Christ, O highest good), BWV 113, a church cantata composed by Johann Sebastian Bach. Soloists: Magdalena Kožená: soprano, William Towers: countertenor, Mark Padmore: tenor, Stephan Loges: bass. Recorded in HD at St Davids Cathedral in Wales in 2000. Director: Rhodri Huw.
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