Previously, I published a post about Vesti la Giubba’s 1902, 1904 and 1907 Enrico Caruso versions, 1904 recording has been sold more than one million copies, the first “million seller” in history. Here, another two opera giants of the 20th century, Franco Corelli and Luciano Pavarotti singing Vesti la giubba (English: put on the costume), a famous tenor aria from Ruggero Leoncavallo’s 1892 opera Pagliacci (Clowns).
Continue reading Vesti la Giubba – Pavarotti and Corelli versions
Casta Diva is one of the most famous soprano arias of the nineteenth century. It is in act 1 of Norma, a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani.
Continue reading Casta Diva (Norma by Bellini), Renée Fleming, Anna Netrebko and Maria Callas versions
The best versions of “Je crois entendre encore” (I still believe I hear), a beautiful aria from Georges Bizet‘s Les pêcheurs de perles.
Continue reading The best versions of “Je crois entendre encore”
Italian tenor Enrico Caruso was the first gramophone star to sell more than a million copies with his 1904 recording of “Vesti la giubba” from the opera “Pagliacci” (Clowns) by Ruggero Leoncavallo. Here are his recordings from 30th of November 1902, 1st of February 1904 and 17th of March 1907.
Continue reading Enrico Caruso – Vesti la giubba (1902, 1904, 1907 editions)
Probably the most beautiful versions of Giuseppe Verdi’s “Di quella pira”. The first version is sung by Enrico Caruso, the second one is sung by Franco Corelli, and the third one is sung by Luciano Pavarotti. Three of the greatest tenors of the 20th history.
Continue reading Di quella pira – Caruso, Corelli and Pavarotti versions
The best versions of Ah! Mes Amis from Gaetano Donizetti‘s La Fille du Regiment. Juan Diego Flórez sings in Vienna (2007), and Luciano Pavarotti version is from 17 February 1972, at New York’s Metropolitan Opera.
Continue reading Ah! Mes Amis (La Fille du Régiment) – Juan Diego Flórez and Luciano Pavarotti versions
Peruvian operatic tenor Juan Diego Flórez sings Granada, the famous Mexican song written in 1932 by Agustín Lara. The song is about the Spanish city of Granada, the capital of the province of Granada, in the autonomous community of Andalusia, Spain; and has become a “standard” in music repertoire.
Continue reading Juan Diego Flórez sings Granada
The “king” Luciano Pavarotti sings “La donna è mobile” as Il Duca di Mantova in the screen movie “Rigoletto” (1983) based on Giuseppe Verdi‘s opera with the same name (1851).
Continue reading Pavarotti – La Donna È Mobile
One of the best versions of Rossini’s “Largo al factotum” from “The Barber of Seville”. Sung by British baritone, actor and opera singer John Rawnsley.
Continue reading John Rawnsley sings Largo al factotum (Il barbiere di Siviglia)
“Largo al factotum” (Make way for the factotum) is an aria from The Barber of Seville (Il Barbiere di Siviglia) by Gioachino Rossini, sung at the first entrance of the title character; the repeated “Figaro”s before the final patter section are an icon in popular culture of operatic singing. The term “factotum” refers to a general servant and comes from the Latin where it literally means “do everything.”
Three versions of the famous Neapolitan song “O Sole Mio”: Enrico Caruso, Jussi Björling, and Luciano Pavarotti.
Continue reading “O Sole Mio” from three great tenors
“O sole mio” is a globally known Neapolitan song written in 1898. Its lyrics were written by Giovanni Capurro and the melody was composed by Eduardo di Capua. There are other versions of “‘O sole mio” but it is usually sung in the original Neapolitan language. ‘O sole mio is the Neapolitan equivalent of standard Italian Il sole mio and translates literally as “my sunshine“.