Accompanied by the period ensemble Les Siècles, French contralto Delphine Galou sings “Erbarme dich, mein Gott” (English: Have mercy, my God), an aria for contralto, solo violin, strings (originally 2 violins and 1 viola) and basso continuo, from the sacred oratorio “Matthäus-Passion” (English: St Matthew Passion), BWV 244 written by Johann Sebastian Bach in 1727. Solo violin: François-Marie Drieux. Conductor: François-Xavier Roth.
Continue reading Delphine Galou sings Bach: Erbarme dich, mein Gott (Matthäus-Passion)
Conducted by Emmanuelle Haïm, the hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) and an instrumental and vocal ensemble dedicated to baroque music, directed by Emmanuelle Haïm, Chœur du Concert D’Astrée perform Johann Sebastian Bach’s Magnificat, BWV 243, a musical setting of the biblical canticle Magnificat and one of Bach’s most popular choral works. Soloists: Emőke Baráth, soprano; Lea Desandre, mezzo-soprano; Damien Guillon, countertenor; Patrick Grahl, tenor; Victor Sicard, baritone.
Continue reading Bach – Magnificat (hr-Sinfonieorchester, Chœur du Concert D’Astrée)
Countertenor Kaan Buldular and classical guitarist Hande Cangökçe perform French baroque era composer Michel Lambert’s “Ombre de Mon Amant” (English: Shadow of my beloved). Arrangement for guitar: Hande Cangökçe.
Continue reading Lambert: Ombre de Mon Amant (Buldular & Cangökçe)
Conducted by John Eliot Gardiner, Monteverdi Choir and English Baroque Soloists perform Johann Sebastian Bach’s Christmas Oratorio (German: Weihnachts-Oratorium), BWV 248. Soloists: Claron McFadden: soprano, Katharine Fuge: soprano, Christoph Genz: tenor, Bernarda Fink: alto, Dietrich Henschel: bass. This performance is recorded at the beautiful church where this work was originally performed – HerderkircheNotes 1 in Weimar, Germany. Published by the EuroArts channel.
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Conducted by Jordi Savall, the orchestra with period instruments, Le Concert des Nations and La Capella Reial de Catalunya perform Johann Sebastian Bach’s Magnificat, BWV 243, a musical setting of the biblical canticle Magnificat and one of Bach’s most popular choral works. Soloists: Hanna Bayodi-Hirt and Johannette Zomer (soprano), Damien Guillon (countertenor) (alto), David Murderloh (tenor), Stephan MacLeod (baritone).
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Conducted by Izabella Shareyko, Vienna Philharmonic Women’s Orchestra performs the second movement, Aria, from Johann Sebastian Bach’ orchestral suite in D Major, BWV 1068, commonly known as “Air on the G String” or simply as “Bach’s Air”. Performed at St. Thekla Church, Vienna Wieden.
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Croatian Baroque Ensemble performs Georg Philipp Telemann’s Concertos for Four Violins No. 2 in D major TWV 40:202. Recorded on November 22, 2015. Violins: Laura Vadjon, Tanja Tortić, Lada Magdalenić, Saša Reba. Published by the Croatian Baroque Ensemble channel.
Continue reading Telemann – Concertos for Four Violins No. 2 in D major (Croatian Baroque Ensemble)
Croatian Baroque Ensemble performs pieces for flutes, violin and Pardessus de viole by Marin Marais (31 May 1656, Paris – 15 August 1728, Paris), the French composer and viol player.
Continue reading Marin Marais – Pieces for flutes, violin and Pardessus de viole – Croatian Baroque ensemble
Italian early music ensemble Il Giardino Armonico (English: The Harmonious Garden) performs Antonio Vivaldi’s Concerto for Violin in D minor ‘Per Pisendel’, RV 242. Soloist (Baroque Violin): Enrico Onofri. Recorded at the Große Musikvereinssaal, or Goldene Saal (Golden Hall) in Musikverein, Vienna.
Continue reading Vivaldi – Concerto for Violin in D minor ‘Per Pisendel’ RV 242 (Il Giardino Armonico)
European Union Baroque Orchestra performs Johann Sebastian Bach’s Brandenburg Concerto No. 3 in G Major, BWV 1048. Director and harpsichord: Lars Ulrik Mortensen, Concertmaster: Huw Daniel. Recorded in Trifolion Centre Culturel, Touristique et de Congrès in Echternach, Luxembourg on 20 and 21 November 2011 by fz film (Anette Fleming, Stefan Zednik).
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