1985 video clip of Tom Waits’ “Downtown Train”. It is a song by Tom Waits released on his album Rain Dogs in 1985.
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One of the most beautiful pieces of the Baroque music: John Williams plays Antonio Vivaldi’s Concierto en D mayor.
Continue reading John Williams plays Antonio Vivaldi’s Concierto en D-mayor
Green Grass is a beautiful Tom Waits song. Here it is sung by Cibelle, the Brazilian multi-media performance artist, singer-songwriter and music producer.
Continue reading Green Grass – Cibelle
Ahhh, Vivaldi and the beautiful Venice. The great video below, Vivaldi’s Four Seasons, from “I Musici“, a film by Anton van Munster, probably one of the best classical music performances on the Internet. Enjoy.
Continue reading Vivaldi – Four Seasons
One of the best versions of Malagueña Salerosa on the Internet. I don’t know who the performers are, unfortunately.
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Ninna nanna is a Neapolitan ballad, sung by Pink Martini in the album “Splendor in the Grass” (2009). Here the band performs the song live in 2010 at Jazz Open Stuttgart, Germany.
Continue reading Pink Martini – Ninna nanna (live in Stuttgart)
Three great versions of “Concierto de Aranjuez“, a composition for classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. The first version is from Paco de Lucia, the famous Flamenco guitarist. The second version is from Spanish classical guitarist Narciso Yepes, and the third version is from Australian classical guitarist John Williams.
Continue reading Three great versions of “Concierto de Aranjuez” (Joaquín Rodrigo)
The Second Waltz of Dmitri Shostakovich is a Music to the 1955 Soviet feature film “The First Echelon“. It is actually only the “Waltz” (eighth movement) from The First Echelon (suite from the film score), Op. 99a. Its popular name is coming from “Suite for Variety Orchestra” (also named Suite for Variety Stage Orchestra); a suite in eight movements, written after 1956 by the Russian composer. The “waltz” is the seventh movement of the suite, and it is the “second” waltz in the work, hence the name “The second waltz”. Here it is played by André Rieu‘s “Johann Strauss Orchestra“.
Continue reading The second waltz (Shostakovich)
Conducted by the German conductor, choirmaster, organist, and harpsichordist Karl Richter, the Münchener Bach-Orchester performs Johann Sebastian Bach’s Brandenburg Concertos.
“The best proof we have that life is good, is that to each of us, on the day we are born, comes the music of Johann Sebastian Bach. It comes as a gift, unearned, unmerited, for free.” –J. M. Coetzee, “Diary of a Bad Year”, 2007.
Continue reading Bach – Brandenburg Concertos (Richter)
The Brandenburg concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works. They considered masterful examples of balance between assorted groups of soloists and a small orchestra. The collection was composed between 1711–1720 and dedicated in 1721 to Christian Ludwig, the margrave (marquess) of Brandenburg and the younger brother of King Frederick I of Prussia. The Brandenburg concertos are widely regarded as some of the best orchestral compositions of the Baroque era.
One of the best versions of Rossini’s “Largo al factotum” from “The Barber of Seville”. Sung by British baritone, actor and opera singer John Rawnsley.
Continue reading John Rawnsley sings Largo al factotum (Il barbiere di Siviglia)
“Largo al factotum” (Make way for the factotum) is an aria from The Barber of Seville (Il Barbiere di Siviglia) by Gioachino Rossini, sung at the first entrance of the title character; the repeated “Figaro”s before the final patter section are an icon in popular culture of operatic singing. The term “factotum” refers to a general servant and comes from the Latin where it literally means “do everything.”