All posts by Dors Venabili

Three great versions of “Concierto de Aranjuez” (Joaquín Rodrigo)

Three great versions of “Concierto de Aranjuez“, a composition for classical guitar and orchestra by the Spanish composer Joaquín Rodrigo. The first version is from Paco de Lucia, the famous Flamenco guitarist. The second version is from Spanish classical guitarist Narciso Yepes, and the third version is from Australian classical guitarist John Williams.
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The second waltz (Shostakovich)

The Second Waltz of Dmitri Shostakovich is a Music to the 1955 Soviet feature film “The First Echelon“. It is actually only the “Waltz” (eighth movement) from The First Echelon (suite from the film score), Op. 99a. Its popular name is coming from “Suite for Variety Orchestra” (also named Suite for Variety Stage Orchestra); a suite in eight movements, written after 1956 by the Russian composer. The “waltz” is the seventh movement of the suite, and it is the “second” waltz in the work, hence the name “The second waltz”. Here it is played by André Rieu‘s “Johann Strauss Orchestra“.

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Bach – Brandenburg Concertos (Richter)

Conducted by the German conductor, choirmaster, organist, and harpsichordist Karl Richter, the Münchener Bach-Orchester performs Johann Sebastian Bach’s Brandenburg Concertos.

“The best proof we have that life is good, is that to each of us, on the day we are born, comes the music of Johann Sebastian Bach. It comes as a gift, unearned, unmerited, for free.” –J. M. Coetzee, “Diary of a Bad Year”, 2007.

The Brandenburg concertos by Johann Sebastian Bach (BWV 1046–1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works. They considered masterful examples of balance between assorted groups of soloists and a small orchestra. The collection was composed between 1711–1720 and dedicated in 1721 to Christian Ludwig, the margrave (marquess) of Brandenburg and the younger brother of King Frederick I of Prussia. The Brandenburg concertos are widely regarded as some of the best orchestral compositions of the Baroque era.

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John Rawnsley sings Largo al factotum (Il barbiere di Siviglia)

One of the best versions of Rossini’s “Largo al factotum” from “The Barber of Seville”. Sung by British baritone, actor and opera singer John Rawnsley.

“Largo al factotum” (Make way for the factotum) is an aria from The Barber of Seville (Il Barbiere di Siviglia) by Gioachino Rossini, sung at the first entrance of the title character; the repeated “Figaro”s before the final patter section are an icon in popular culture of operatic singing. The term “factotum” refers to a general servant and comes from the Latin where it literally means “do everything.”

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